The working lives of journalists have been dramatised many times, both on stage and screen. From Hollywood blockbusters like All the Presidents Men to small screen hits like The State of Play, most portray the profession as glamorous and heroic.
But as many journalists would testify, the profession isn’t always like that. For every Bob Woodward, you’ll have the poor sod who has to write about pork belly futures for a trade magazine in Topeka, Kansas. The State of Play is particularly guilty of idealising the profession. Continue reading